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Music history of the United States (1900–40) : ウィキペディア英語版 | Music history of the United States (1900–40)
==Native Americans== (詳細はNative American pow wows arose around the turn of the 20th century. While some claim that pow wow had been an integral part of indigenous cultures for over 10 centuries, some modern analysts believe that pow wows were invented to appeal to tourists and had only a tangential relationship to genuine Native American traditions, which generally revolved around ceremonial dance music like the Ghost Dance, Zuni Shalako, Navajo Yeibichai and the Sun Dance of the Plains. The Native American Church, founded early in the 20th century, was a center of development for Native American gospel and Peyote song, a fusion of gospel and traditional music revolving around ceremonies in which hallucinogenic peyote is taken as a sacrament. In Arizona and Mexico, waila, or chicken scratch, music, had arisen as a fusion of native Tohono O'odham music with German polka and Mexican-American norteño. Jazz, blues, folk, country, and gospel, music from the Caribbean region also briefly became popular during the first half of the twentieth century. Trinidadian calypso, Argentinian tango and Dominican merengue and other styles influenced American popular music. Hawaiian music (especially slack-key guitar) enjoyed an early vogue in the 1910s, influencing the developing genre of country music (this is the source of the steel guitar sound that is characteristic of modern country). Eastern European Jews contributed klezmer music to American culture, with the earliest stars including Harry Kandel, Naftule Brandwein, Dave Tarras and Abe Schwartz. Kandel, a clarinetist, set the stage for American klezmer.
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